Enter the New Yorker, whose author c.l.bre Sasha Frere-Jones is the latest to plunge in to a conisder that now includes names like Jay-Z (or now, ‘Jay Z’), Thom Yorke, Nigel Godrich, and Ticketmaster CEO Nathan Hubbard. .After catching readers on the bloody boxing match, Frere-Jones quickly takes off his own set of two gloves.
Honestly I don t care anymore. They threatened to discontinue their legacy software player in December, which prompted myself among others to go to several services as their new software player lacks critical features. Then Rhapsody apparently backed faraway from that threat after receiving backlash but they never contacted people who left. And they are not addressing the causes people threatened to depart in the first place.
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Its nice to see the breakdown of each artist and the volume of streams and listeners they have got, nevertheless the question I am using is; why would an enterprise spend time and energy to produce and support a platform that, even though wildly successful, will not generate enough revenue to support the label or the artists?